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The boy Petya scares all the animals, boasting of his strength. But when he fell into a puddle, the little hares, the cockerel, and the squirrel came to the rescue. And Petya realized that one cannot live without friendship.

U.S. President Joanna Duncan disappears during a major cyberterrorist threat to the nation, forcing her to go on the run with a Secret Service agent to uncover a traitor and stop the attack.

A boy and his dad take a trip to Peru, but when they are accidentally separated he is given a mysterious mask that makes him a target for ruthless tomb raiders.

Two sisters suspect foul play after the mysterious disappearance of their mother in the mountains.

Mob tale of a mafia boss whose moll has hooked up with a young hood now in charge of a movie studio.

Two women, a missing roommate, some taxidermy, a creepy blind man and a lot of booze.

Andy & Nick search for Andy's brother Dan in the woods. As they experience grief, they rekindle a friendship and rediscover themselves.

Following celebrated productions of Prokofiev's 'Semyon Kotko' and Shchedrin's 'The Left-Hander', Valery Gergiev continues his survey of uniquely Russian works with 'The Golden Cockerel', Rimsky-Korsakov s final and, arguably, most mysterious opera. This vibrant new production mixes live action with CGI, and is the vision of Anna Matison, an acclaimed playwright, script-writer, film director and producer. 'The Golden Cockerel' was Matison s directorial debut with the Mariinsky, and saw her also take on the roles of production and costume designer. The melodious nature, beauty and leitmotifs of the plot are underscored by the production designs; the opera uses pantomime and masquerades, while the sets utilised 3D video projections.

‘A beautiful song – a shame that it shows such disrespect to the Mayor!’ This remark from the score of The Golden Cockerel highlights the delicious ambiguity of this work. Principally inspired by Washington Irving and Pushkin, Rimsky-Korsakov called on the talents of Vladimir Belsky, an author of other libretti of a fairy-tale, legendary nature and an expert on Russian folk literature. The composer, a genius at orchestration, has given us sparkling music, with oriental touches, that creates fully rounded characters. This is the perfect occasion for Alain Altinoglu to direct his first opera in his new role as Music Director of La Monnaie. After the success of his Don Quichotte and Cendrillon, Laurent Pelly returns to La Monnaie to stage this exuberant political satire, an adventure in unrestrained rhythm. More than a century has passed since its first performance, yet the opera has lost none of its boisterous sarcasm.